A. 以innovation on campus為校園創意題的英語作文
Although my school is beautiful, there arestill some environmental problems. Used paper can sometimes be seen in corners,and bins are often filled with trash. Thus, I want to do a bit of my share forthe school in order to improve the environment. First, I can help clean theschool when I』m free. Secondly, I should organize a group of people to checkand empty the bins once a while. What』s more, I ought to tell all the studentsto care for the environment. I believe, with the hard work of everyone, we willhave a school which is not only beautiful, but also neat and tidy.
B. 求《以創造力的培養》為題目的英語作文 小女子不勝感激
我是一個叫晶晶的女孩,前幾天,我晚自習回家,被一輛大卡車撞死了,司機將我的屍體拋入了路徑邊的小河裡,然後逃走了,你看見了這條信息後,請將此發給4個論壇,如果沒有發,你的媽媽會在1個月後撞死,你的爸爸會得絕症,如果你照著做了,在5天後,你喜歡的也會喜歡你 de
C. 關於學校總是扼殺學生創造力嗎四百字英語作文
My View on School Ecation
School ection has played an important role in people』s life. When reaching three tears old, the little children will go to kindergarten for a preschool ecation. And then they will take part in the primary school, middle school, high school, college and so on. School ection almost run through people』s whole life. So it is very important. We all know that thereare many knowledgeable teachers in school will teach the students. But it』s not enough. School ection needs the coordination of family ecation. The British ecator, Hosea Ballou once said,」Ecation commences at the mother』s knee, and every word spoken within the hearsay of children tends towards the formation of character. Therefore, we can see that the successful of school ecation needs the help of family ecation so that the children can have a perfect ecation. The promissing future is waiting for them.
學校教育在人們的生活中扮演著很重要的角色。在小孩三歲的時候,他們就會去幼兒園進行學前教育。之後他們會去上小學,初中,高中,大學等。學校教育幾乎貫穿人的一生。所以它是非常重要的。我們都知道,學校有很多知識淵博的老師來教學生知識。但這是不夠的。學校教育需要家庭教育的協調。英國教育家巴盧曾經說過,「教育始於母親膝下,孩童耳聽一言一語,均影響其性格的形成」。因此,我們可以看到,學校教育的成功需要家庭教育的協助,使孩子們擁有一個完善的教育。光明的未來在等著他們。
D. 學校是否扼殺創造力英語作文
Schools kill Creativity
I agree with the idea that schools kill students』 creativity. How do I reach this conclusion? As far as I am concerned, schools kill creativity by standard answers, the one-to-all teaching method and the lack of practice.
Standard answers can kill creativity. Schools often use standard answers in exams for the convenience of correcting. This may prevent students from independent thinking. In order to get good marks in the exam, some students may think the same as they were taught. If students think the same way, it will be difficult to create new thoughts or methods. Once everyone thinks the same, there will be no creativity. Thus, standard answers kill creativity by killing independent thoughts.
The one-to-all teaching method can also kill students』 creativity. If the students just listen to the teacher, their creative thinking will be restrained because they have few chances to speak out their own views. How can you expect students to have creative thoughts if they can』t speak out what they think? Unfortunately, this method is still widely used in Chinese schools.
The lack of practice is another problem in school which leads to poor creativity. A large quantity of creative ideas comes from practice. When a student meets a problem ring practice, he would try to find a better way to solve the problem. A creative thinking may slip his mind. Little by little, creativity can be cultivated by solving the practical problems. But most schools emphasize theory rather than practice, so students don』t have enough opportunities to benefit from practice.
In conclusion, schools contain lots of factors which may kill creativity. But we can do our utmost to cultivate ourselves by thinking independently, speaking out our views and practice.
E. 寫一篇關於什麼是創造力的英語作文
What's Creativity ?
According to the dictionary definition of "create", ordinary people are creative every day. To create means "to bring into being, to cause to exist" something each of us does daily.
We are creative whenever we look at or think about something in a new way. First this involves an awareness of our surroundings. It means using all of our senses to become aware of our world. This may be as simple as being aware of color and texture, as well as taste, when we plan a meal.
Above all, it is the ability to notice things that others might miss.
A second part of creativity is an ability to see relationships among things. If we believe the expression, "There is nothing new under the sun," creativity is remaking or recombining the old in new ways. For example, we might do this by finding a more effective way to study or a better way to arrange our furniture, or we might make a new combination of camera lenses and filters to create an unusual photograph.
A third part of creativity is the courage and drive to make use of our new ideas, to apply them to achieve some new resuits. To think up a new concept is one thing; to put the idea to work is another.
These three parts of creativity are involved in all the great works of genius, but they are also involved in many of our day-to-day activities.
F. 求一篇短文,有英文最好,主題是大時代下所需要的創造力。急!!!!!
How to cultivate our creativity?
It's true that maybe cultivating creativity is difficult to most of the people.Many ways are for this while we can't realize them.cultivating creativity is indeed of great importance to the whole society.What can we do to acquire it?First,it calls for our working,which should be very hard or even unthinkable.This step of course will give us firm basement.Secondly,we'd better try our best to see,to watch,to oberve...everthing around in our lives,from which we can get useful messages.Yet the last one'll be hard,ater all,we should insist!We have to think deeply,and compare everthing with each other to find their characters.So,maybe we can't succeed,but to our devotion,we may learn a lot,and it's believed that we will finally creating perfectly.
帶翻譯:
如何培養我們的創造力呢?
的確,也許培養創造力是很難的大多數人。很多方面是這段時間我們不能意識到他們。培養創造力確實是全社會的重視。我們能做什麼來獲得它嗎?首先,它要求我們的工作,這應該很難甚至無法想像。這一步當然會給我們公司的地下室里。其次,我們最好盡力看,看……一切圍繞在我們的生活中,我們可以得到有用的信息。然而最後一個會硬,水,我們應該堅持!我們必須思考,互相比較熱情找到他們的角色。所以,也許我們可以不成功,但我們的奉獻,我們可以學到很多東西,相信我們最終將創造完美。
G. 關於創造力的英語作文
根據字典的定義,「創造」,一般人是創造性的每一天。要創建的意思是「使形成,導致不存在」的東西,我們每天都做。
我們富於創意,每當我們看到或認為在一種新的方式對某事。首先這涉及到我們的環境意識。這意味著用我們的感官都成為我們這個世界的認識。這可能是一樣的顏色和質地是知道的簡單,以及口味,當我們計劃一餐。
首先,它是能夠看到東西,別人可能會錯過。
創造力的第二部分是一個能夠看到事物之間的關系。如果我們相信這樣的表達,「沒有什麼新的陽光下,」創意是改造或重組以新的方式老。例如,我們可以通過找到一個更有效的學習方法或更好的方式來安排我們的傢具,或者我們可以製作一個新的相機鏡頭和過濾器組合,以創造一個不同尋常的照片。
創造力的第三部分是勇氣和動力,把我們的新意念,適用於他們實現一些新的結果。為了想出一個新的概念是一回事,把這種思想工作是另一回事。
創造力的這三個部分所涉及的所有偉大作品的天才,但他們也是在我們日常的日常活動涉及許多。
H. 英語作文 如何鼓勵學生創造力
根據樓主要求寫下文,希望對您有幫助
《HOW TO DEVELOP THE CREATIVITY IN STUDENTS》
Teachers can do a number of things to make sure students have the chance to show their creativeness. One example would be when students are given a research assignment, teachers could encourage students to either write a paper, do a presentation, perform an experiment, or use technology to present information. This gives all students the chance to complete the assignment in their own creative style. Not only can teachers give options on assignments, they can ask students how they would like to accomplish the task. Giving students this kind of choice empowers them and hopefully motivates them to do their best.
I. 求英語作文一篇 《科學家為什麼需要創造力》 300字左右 跪謝!!
衣服狠毒很多聚聚聚福一股今日u法看V刊姐姐覅股卡卡卡卡卡卡恢復近似瘋狂聰明存上黨課少廢話電信卡澀及修復計劃的好好的和大家的家說說V的V想你你就
J. 學校總是扼殺創造力嗎英語作文
TED(Technology、Entertainment、Design的縮寫)大會的宗旨是「用思想的力量來改變世界」,它於1984年由理查德·溫曼和哈里·馬克思共同創辦。每年來自全球不同學科的頂尖學者與實踐者們會雲集該大會,將自己的研究成果凝聚在一個18分鍾的演講里。演講內容涵蓋科學、藝術、政治、建築、音樂等。
Ken RobinsonKen Robinson,全球知名創新與創造力專家,在開發創造性和創新能力方面是國際公認的領袖人物。本文節選自他在TED大會論壇上就創建一個呵護而非摧殘創造力的教育體系而發表的演講,語言深入淺出、發人深思。
We』ve all agreed on the really extraordinary capacity that children have, their capacities for innovation. And my 1)contention is, all kids have tremendous talents and we 2)squander them, pretty ruthlessly. So I want to talk about ecation and creativity. My contention is that creativity now is as important in ecation as literacy, and we should treat it with the same status.
我們一致認同,孩子擁有超凡的才能,或者說創新能力。我認為:每個孩子身上都蘊含著巨大的才能,卻被成人無情地磨滅了。因此,我想談談教育和創造力。我相信在當今這個時代,創造力在教育中的地位同讀寫能力一樣重要,理應得到同等程度的重視。
I heard a great story recently, I love telling it, of a six-year-old girl who was in a drawing lesson. The teacher said usually this little girl hardly paid attention, but in this drawing lesson she did. The teacher was fascinated and she went over to her and said, 「What are you drawing?」 and the girl said, 「I』m drawing a picture of God.」 And the teacher said, 「But nobody knows what God looks like.」 And the girl said, 「They will in a minute.」
前些日子我聽到了一個很棒的故事,我喜歡逢人就講。有個6歲的小姑娘在上繪畫課。她的老師說,這個小姑娘上課一向不怎麼專心,而這次卻不同。老師很好奇,於是走過去問小姑娘:「你在畫什麼?」「我在畫上帝」,小姑娘答道。老師不解:「可是從來沒有人知道上帝長什麼樣啊!」小姑娘答道:「等我畫好他們就知道了。」
Picasso once said that all children are born artists. The problem is remaining an artist as we grow up. I believe passionately that we don』t grow into creativity, we grow out of it. Or rather we get ecated out of it. So why is this?
畢加索曾經說過:每一個孩子都是天生的藝術家。問題在於我們長大之後能否繼續保持著藝術家的個性。我堅信,隨著年齡的增長,我們的創造力並非與日俱增,反而是與日俱減。甚至可以說,我們的創造力被教育扼殺了。怎麼會這樣呢?
Every ecation system on earth has the same hierarchy of subjects—every one; it doesn』t matter where you go, you』d think it would be otherwise but it isn』t. At the top are mathematics and languages, then the 3)humanities, and the bottom are the arts. Everywhere on earth. There isn』t an ecation system on the planet that teaches dance every day to children the way we teach them mathematics. Why? Why not? I think this is rather important. I think maths is very important but so is dance. Children dance all the time if they』re allowed to, we all do. We all have bodies, don』t we? Truthfully what happens is, as children grow up we start to ecate them progressively from the waist up. And then we focus on their heads. And slightly to one side.
世界上所有的教育系統都有著相同的學科體系,無一例外。你會想肯定有某個地方會例外的吧,可是無論你走到哪都是這樣。位於頂端的是數學和語言,接著是人文學科,處在最底端的是藝術。全球普遍如此。在這顆星球上沒有一個教育系統會像上數學課一樣天天給孩子們上舞蹈課。為什麼?為什麼不這樣?我覺得這非常重要。我知道數學很重要,但是舞蹈也同樣重要啊。如果獲得允許,孩子們可以整天跳舞,我們也是。我們都有身體可以舞動起來,不是嗎?現實中的真相是:隨著孩子們在長大,大人們開始逐步地訓練他們,首先是腰部以上的部位,然後是集中訓練他們的大腦,並且漸漸地有點偏向大腦一側。
If you were to visit ecation as an alien and say what』s it for, public ecation, I think you』d have to conclude (if you look at the output, who really succeeds by this, who does everything they should, who gets all the 4)brownie points, who are the winners) the whole purpose of public ecation throughout the world is to proce university professors. Isn』t it? They』re the people who come out on top. And I used to be one, so there. And I like university professors, but you know, we shouldn』t hold them up as the 5)high-water mark of all human achievement. They』re just a form of life, another form of life. But they』re rather curious and I say this out of affection for them, there』s something curious about them, not all of them but typically, they live in their heads, they live up there, and slightly to one side. They』re 6)disembodied. They look upon their bodies as a form of transport for their heads, don』t they?
假設你是一位外星來客,來考察地球上的教育,想知道公共教育究竟有何作用。在得出結論之前,我建議你先看看公共教育的產物,看看究竟是誰通過教育獲得成功?是誰中規中矩地完成了使命?是誰得到了所有的贊許?又是誰成了最後的贏家?我想你會由此得出結論:全球公共教育的目的完全在於培養大學教授,不是嗎?他們是教育體制最高端的產物。我過去也曾是其中一員,嗯,我喜歡大學教授們。不過,你知道,我們不應該將他們推崇為全人類最大的成就。他們所代表的僅僅是一種生活方式,另一種不同的生活方式。不過大學教授們還是蠻古怪的,我是出於對他們的喜愛才這么說的,雖然不是所有大學教授都這樣,但他們的確有些奇特,典型表現為:他們生活在自己的思維里,住在自己的大腦中,而且還略偏向於大腦一側。他們崇尚精神世界,軀體在他們看來不過是思維的承載工具,不是嗎?
In the next 30 years, according to 7)UNESCO, more people worldwide will be graating through ecation than since the beginning of history. More people, and it』s the combination of all the things we』ve talked about—technology and its transformation effect on work, and demography and the huge explosion in population. Suddenly degrees aren』t worth anything. Isn』t that true? When I was a student, if you had a degree, you had a job. If you didn』t have a job it』s because you didn』t want one. And I didn』t want one, frankly. But now kids with degrees are often heading home to carry on playing video games, because you need an 8)MA where the previous job required a 9)BA, and now you need a 10)PhD for the other. It』s a process of academic inflation. And it indicates the whole structure of ecation is shifting beneath our feet. We need to 11)radically rethink our view of intelligence.
根據聯合國教科文組織的統計預測,未來三十年內全球的教育系統畢業生人數將達到歷史之最。高科技及其對工作性質的改變影響,人口以及人口大爆炸,這些我們提及過的因素加在一起將導致畢業生越來越多。學歷突然縮水了。難道不是嗎?我上學那會兒,只要你有一紙文憑,你就有飯碗。如果你沒有工作,那是因為你不想要。坦白說,我當時就不想要(作者的自嘲)。可現在有學歷的畢業生們卻常常待業在家打游戲,因為工作崗位的學歷要求都升級了,過去需要學士的崗位現在開始要碩士了,過去要碩士的崗位現在要博士了。這是個「學歷膨脹」的過程。這一過程說明了整個教育體系正在我們眼下經歷著重大轉變。我們需要從根本上重新審視自己的智能觀。
We know three things about intelligence: One, it』s diverse. We think about the world in all the ways we experience it. We think visually, we think in sound, we think 12)kinesthetically. We think in abstract terms, we think in movement.
我們知道智能有三大特點:第一,智能具有多元性。我們運用各種體驗方式來認知世界,比如視覺、聽覺、觸覺、抽象化、動態化等等。
Secondly, intelligence is dynamic. The brain isn』t divided into compartments. In fact, creativity, which I define as the process of having original ideas that have value, 13)more often than not comes about through the interaction of different 14)disciplinary ways of seeing things.
第二,智能具有交互性。大腦並不是由相互隔絕的單元組成的。事實上,創造活動往往就誕生於各學科看待事物的不同方式所產生的交互作用,在我看來,創造就是「有價值的原創思想的產生過程」。
And the third thing about intelligence is, it』s distinct. I』m doing a new book at the moment called Epiphany which is based on a series of interviews with people about how they discovered their talent. I』m fascinated by how people got to be there. It』s really 15)prompted by a conversation I had with a wonderful woman who maybe most people have never heard of, Gillian Lynne. She』s a 16)choreographer. She did Cats, and Phantom of the Opera, she』s wonderful. Gillian and I had lunch one day and I said, 「Gillian, how』d you get to be a dancer?」 And she said it was interesting, when she was at school, she was really hopeless. And the school, in the 30s, wrote her parents and said, 「We think Gillian has a 17)learning disorder.」 She couldn』t concentrate, she was 18)fidgeting.
第三,智能具有獨特性。目前我正在寫一本新書,叫做《悟》,是根據一系列人物訪談寫成的,主題圍繞「你是如何發現自己才能的?」。我對人們的自我發現很感興趣。事實上,寫這本書的念頭源自我和一位出色的女士之間的對話,也許這里大部分人沒有聽說過她,她叫吉莉安·林恩,是一名舞蹈指導,曾經給歌舞劇《貓》、《歌劇魅影》編排舞蹈,非常棒的一位女士!有一天我和吉莉安一起吃午餐,我問她:「吉莉安,你當初是怎麼走上跳舞這條路的?」她告訴我,其中的故事還蠻有趣的。當年她在學校時,大家都說她沒得救了。那還是在上世紀三十年代,學校寫信給她父母說「我們認為吉莉安有學習障礙」。那時候的她無法集中注意力,總是坐立不安。
Anyway, she went to see a 19)specialist in an oak-paneled room with her mother and she sat on her hands for 20 minutes while this man talked to her mother about all the problems Gillian was having at school. In the end, the doctor went and sat next to Gillian and said, 「Gillian I』ve listened to all these things that your mother』s told me, and I need to speak to her privately. Wait here, we』ll be back, we won』t be very long,」 and they went and left her.
後來她媽媽就帶著她去看專科。那是一間鋪著橡木地板的診室。吉莉安把雙手壓在屁股下,耐住性子坐了20分鍾,這段時間里醫生和她媽媽談論了她在學校里出現的種種問題。最後,醫生走過來坐在吉莉安身邊對她說:「吉莉安,你媽媽和我講了你的所有事情,現在我要和她私下談談。在這兒等著,我們很快就回來。」於是他們就留下她出去了。
But as they went out the room, he turned on the radio that was sitting on his desk, and when they got out the room, he said to her mother, 「Just stand and watch her.」 And the minute they left the room, she said, she was on her feet, moving to the music. And they watched for a few minutes and he turned to her mother and said, 「Mrs. Lynne, Gillian isn』t sick; she』s a dancer. Take her to a dance school.」 Somebody else might have put her on medication and told her to calm down.
就在他們離開房間的時候,醫生擰開了他桌上的收音機。走出房間後,醫生對吉莉安的媽媽說道:「就在這兒觀察一下她」。吉莉安說,他們剛離開房間她就站了起來,隨著音樂移動步子。在外面觀察了幾分鍾後,那位醫生轉向她媽媽說道:「林恩夫人,吉莉安並沒有生病,她是個天生的舞蹈家。送她去舞蹈學校吧。」(感謝當年那位醫生,)換了別人或許會對吉莉安進行葯物治療,並告訴她要平靜下來。
I believe our only hope for the future is to adopt a new conception of human ecology, one in which we start to reconstitute our conception of the richness of human capacity. Our ecation system has mined our minds in the way that we 20)strip-mine the earth, for a particular commodity, and for the future, it won』t serve us.
我認為我們未來唯一的希望在於創設一種新的人文生態構想,唯有在此構想上才可重新認識到人類能力之豐富。如同獲得商品的慾望驅使人類掠采礦物資源,現行的教育體制也正以此道壓榨著我們的智力,而這種壓榨並不能造福人類社會。
We have to rethink the fundamental principles on which we』re ecating our children. And our task is to ecate their whole being, so they can face this future—by the way, we may not see this future, but they will. And our job is to help them make something of it.
我們必須重新思考我們教育孩子的基本原則。我們的任務是教育所有的孩子,以便他們能夠面對未來——順便提一下,這個未來或許我們是看不見了,但是他們可以,我們的工作就是幫助他們戰勝未來的挑戰。